Thomas Kinkades Faith for all Seasons Check Designs
Jun 25th, 2008 by ILoveKinkade
Title: The Mountain Chapel
Who has not, at the sight of some glorious vista, echoed the poet’s profound sentiment? Before we ever began to build temples in His honor, God graced us with natural sanctuaries radiant with the light of divine love and peace.
In the crowded and busy world most of us live in, there is little enough time to seek out the secluded treasures that give testimony to a divine presence in the world.
The Mountain Chapel, first in the series, is a rough-hewn stone chapel sculpted out of the very granite of the mountains that rise behind. As the mirror-bright lake reflects the majesty of God’s glorious creation, the chapel, bathed in golden sunlight, reflects the generosity of His plan for man.
As my Chapels of Nature series unfolds, we will seek the presence of God in His lakes, forests, hills, and valleys. It is my prayer that we will find Him together. — Thomas Kinkade
Chapels of Nature I, 1998
Title: Hometown Chapel
This is the chapel where we commemorate the landmarks that fill our life: the celebration of marriage, the birth of a child, the commemoration of an anniversary, and even the passing of a loved one. My hope is that my Hometown Chapel will be a part of each of these landmarks, shared with others as a gift. — Thomas Kinkade
Hometown Memories II, 1995
Title: Dogwood Chapel
There are places where the bounty of God’s creation shines forth with such radiance that the humble heart is moved to express its gratitude in prayer. Dogwood Chapel portrays just such a spiritual jewel within a setting of breathtaking natural beauty. A graceful footpath leads us to the door of a modest chapel, lodged within the shade of an overarching, flowering dogwood tree. Whether or not we know the legend of the dogwood, we cannot help but recognize that this tree with its lavish white blossoms is a sign of God’s sheltering grace, and His abiding gift of love. -Thomas Kinkade
Chapels of Nature IV – 2004
Title: Moonlit Village: An Evening Service at the Church on the Hill
In my travels throughout America, I’ve noticed that churches are often built on a hillside or knoll as a means of emphasizing their presence in a town, and I find this to be a particularly poignant concept. These hillside churches, like lighthouses, are high up, so that, figuratively speaking, their light might be seen from afar. I wanted to capture a bit of that feel in my painting Moonlit Village. — Thomas Kinkade
1989
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